Countries Archives: Romania

Romania–Additive Rhythms

Eastern European folk music is unique in Europe for its “asymmetrical” rhythms, in which the music isn’t split into even measures but instead into measures that are not all the same length as each other. Rather than a song’s rhythm being simple and straightforward–“4+4+4+4”–the rhythm of a song counted asymmetrically may be “4+4+3+4+4+4+3” or “5+2+2+5+2+4” or, truly, anything. (Remember to look at the “Everything is a Drum” rhythm overview for a brief introduction to meter. And, if you want to hear some asymmetrical rhythms, visit Jas’s Middle Eastern rhythms page and scroll down or search for “the Balkans.”) Influential Hungarian composer and ethnomusicologist Bela Bartók, who use asymmetrical rhythms in some of the music he composed, called these rhythms “Bulgarian rhythms” because they appear often in Bulgarian music. For example, the original rhythm for the Bulgarian song we sing in class, “Dilmano Dilbero,” is asymmetrical, starting in the 8/16 time signature, moving to 11/16, going back to 8/16, then to 5/16….tricky. And fun. And we’re going to try it.

In class we’re may also take our asymmetrical rhythmic singing to the next level and using them as a basis for a dance. There are many Eastern European dances that use asymmetrical rhythms, such as the Transylvanian Fecioreasca (usually a 7/8 dance — check it out on YouTube), the Rustem (generally in 5/16, though it sometimes floats toward 3/8 — here’s an example) and the Purtata, or “walking dance” (sometimes in 10/16–interesting….).

In class we’re going to try the Romanian “Cadâneasca,” which we’ll dance in 9/8 (2+2+2+3). We’ll dance to the “Cadâneasca” as performed by Trio Polifonic, who very well may be “the best harmonica band in Romania.” (the harmonica starts at 2:45.) If not them, who? Maybe these guys? (Not Romanian.) How about these guys? (Not Romanian.) Then surely these guys…? (Still not Romanian, but AWESOME.) Seriously… Trio Polifonic is an awe-inspiring Romanian harmonica trio that plays traditional Eastern European music, fronted by soloist Ioan Constantin.

Just try to count out these rhythms. I dare ya.
Transylvanian Fecioreasca: in 7/8
the Rustem: in 5/16 and 3/8
Purtata: in 10/16
the Romanian “Cadâneasca” in 9/8
Dilmano Dilbero: in 8/16, then 11/16, then 8/16, then 5/16, back to 8/16

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Romania–Music

Romanian music generally falls into two broad categories — Transylvanian music, from the Hungarian-dominated northwest, and, across the Carpathian mountains that run through Romania, the Balkan-oriented east. Music from Transylvania looks westward, toward Hungary and Western Europe; the Turks never conquered Transylvania, and it never developed their Eastern sound, as did Romania’s once-Turkish east.

The most gripping Romanian musical tradition is the doina, which blends slow, often-improvised melodies with much faster accompaniment, which, as National Geographic’s Romanian page writes, “gives the music an exciting rhythmic tension.” Most Romaninan ethnic groups use the doina, even across the Carpathian provide.

In Translyvania, though its people are a mix of Hungarians, Romanians and Roma, most musicians are Roma “lautari,” a class of professional musicians who play “gypsy” music in a Central-European style somewhat akin to klezmer. In East, tarafs (bands) like the internationally known Taraf de Haïdouks (“band of brigands”) play Roma music with more
Turkish and Arabic influences, or form brass bands like Fanfare Ciocărlia whose style is reminiscent of Turkish military ensembles.

In addition to this thriving village folk scene, Romania’s modern music is strong, especially in its cities like Bucharest, where you can dance all night to techno and Europop…if that’s really what you want.

More information:
National Geographic on Romanian music | Wikipedia on Romanian music, including information about the specific music of various Romanian provinces | The Rough Guide to the Music of the Romanian Gypsies

In class we’re going to listen to:

— “Red Bula” by Mahala Rai Banda
Mahala Rai Banda is a rollicking Romani ensemble from Bucharest that combines violins and accordions and a rousing rhythm section with an army brass band from the village Zece Prajin.

More information:
Wikipedia on Mahala Rai Banda | Mahala Rai Banda live on what seems like a sound stage | Mahala Rai Banda live in what seems like someone’s living room, but is actually a London Romanian restaurant

— “Que Dolor” by Fanfare Ciocărlia from “Best of Gypsy Brass”
Fanfare Ciocărlia is another Romani band from the exceptionally talent-rich Carpathian mountain village of Zece Prajin (population 400). Fanfare Ciocarlia is a high-energy “gypsy” brass band that plays music from Romani, Romanian, Turkish, Bulgarian, Serbian and Macedonian styles, and also incorporate music from Hollywood and Bollywood. The band started as a loose assortment of musicians who performed at weddings and baptisms. Since a German sound engineer encouraged them to come together in 1996 they’ve played over a thousand concerts in 50 countries.

More information:
About Fanfare Ciocărlia | “Born to Be Wild!” | Ralf Marschalleck’s documentary “Iag Bari — Brass on Fire” features many amazing Fanfare Ciocărlia performances, including this one.

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Romania–Language

Romanian is certainly the language of the land in Romania, but it not the only language you’ll hear there. Beside speakers of Romanian you’ll encounter Romani-speaking Roma, Russian-speaking Lipovans (ethnic Russians who immigrated to Romania in the 18th century after a schism within the Orthodox Church) and others who are just as comfortable talking Hungarian, Ukrainian and German.

In class we say hello and goodbye in Romanian:

Hello: Ej
Goodbye: Achen devlesa

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Romania–Overview

About two thousand years ago the land of Dacia, which corresponds roughly to today’s Romania, became known throughout the Roman Empire for its wealth of silver and gold. The Romans liked such things so they colonized. The Dacians protested, and after about two hundred years of hassle the Romans left. Over the next several hundred years a lot of peoples invaded Dacia, such as the Goths, the Skaters, the Punks, the Nerds… okay, seriously, it was the Goths, the Huns, the Gepids, the Avars, the Bulgars, the Pechenegs and the Cumans. None of them stayed very long, though they may have left a cumulative legacy; some theorists suggest that modern Romanians are a mixed product of Dacia’s many colonizers.

In the Middle Ages there were three Romanian principalities — Wallachia, Moldavia and Transylvania. Transylvania became part of Hungary and eventually achieved independence…just in time for the Ottoman Turks to conquer Romania in 1541.
For the next several hundred years of Ottoman rule, even after the Austrio-Hungarian Hapsburgs took back Transylvania, Romanians were second-class citizens in their own land. They rebelled several times and eventually earned their independence in 1878. In 1881 Romania even brought back its monarchy and crowned a new king — all hail King Carol I!

In World War I Romania tried to remain neutral but eventually sided with Great Britain and the Allies. When the Allies won, Romania took back a lot of its long-lost lands, including Transylvania. This ushered in the short-lived age of România Mare (“Great Romania”), which included the scandalous and controversial rule of King Carol II (some hail King Carol II!)

During World War II little was “great” in Romania; hundreds of thousands of Romanians perished in battle, both due to terrible living conditions and at the hands of both Nazis and a Nazi-sympathizing Romanian government in the Holocaust. After World War II the Soviets occupied and the Romanian Communist Party came to power.

In 1965 Nicolae Ceaşescu became Secretary General of the Romanian Communist Party. Ceaşescu, who had long been a Communist organizer–he had been arrested at the age of fifteen for distributing Communist pamphlets–developed a penchant for relative Romanian independence from Moscow. During his first few years in power he became popular with Romanians and the West alike for pursuing a foreign policy that differed slightly from the Soviet party line. For example, he was the only Warsaw Pact leader to condemn the Soviet leadership for invading the Czech Republic in 1968. He also accepted a huge loan from the International Monetary Fund, which is something he and the Romanian people would soon come to regret.

In 1971 Ceaşescu visited East Asia and returned impressed with the autocratic leadership style of China’s Mao and that of a fine fellow from North Korea named Kim Il Sung. He proceeded to develop a cult of personality, calling himself the “Conducător” (the “Leader”) and “Geniul din Carpati” (“The Genius of the Carpathians”). He also started using a scepter and commissioned sculptures that portrayed him as a king. He decided his taking of international loans was a mistake–something with which much of the Romanian population agreed–and initiated the process of repayment. In doing so he implemented economic policies that resulted in a substantial lowering of the Romanian standard of living.

The Romanian economy rapidly devolved throughout the ’80, but supporters claimed Ceaşescu had no idea that the country was in trouble. (According to Wikipedia, “Special contingents of food deliveries would fill stores before his visits, and even well-fed cows would be transported across country in anticipation of his visits to farms. In at least one
emergency, he inspected [and approved] a display of Hungarian produce, which apart from some corn and several melons, was largely constructed of painted plastic and/or polystyrene.”) Whether or not Ceaşescu knew what was really happening in his country he publicly promoted Romania’s economic successes all the while brutally disposing of anyone who dared express dissent.

By the late ’80s Romania had had enough of the Conducător. In 1989 the people overthrew him in a dramatic and abrupt revolution. They put him and his wife on trial–a hasty, hour-long televised affair–then rapidly and definitively “terminated his leadership.” He was the last Soviet-era dictator to fall.

Since the age of Ceaşescu successive Romanian governments have increased political and social freedoms and have even led the country through a period of some economic growth, though living standards remain low. The 2008 recession was particularly devastating to the Romanian economy and inspired its leadership to borrow heavily from the international community; ironically, Romania now owes more to the International Monetary Fund than any other nation.

More information:
Wikipedia on Romania | Wikipedia tells the story of Ceaşescu | Transylvania is part of
Romania…but should it be? | Romanian’s “gypsy” population has long faced hard times

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Dumbala Dumba

COUNTRY: Romania
LANGUAGE: Romani

GENRE: Romani

A fantastic Romani song by the other-worldly Romanian band, Taraf de Haïdouks.

Lyrics of All Around This World version:

I may not be a pretty one but I can sing
I may not be a pretty one but I can sing ’bout anything.
Hai, dumba dumba dumba…
Ooh dai dumalele
Dum daka dumelaka dai dumalele
Dika daka dumelake dai dumalele
Dai dumelaka dai dumalele
Dika daka dumelake dai dumalele

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