All Around This World class in action

All Around This World is a unique, interactive global music and world cultures program for children 0-9 years old that encourages children and their families to explore the world by enjoying global music, rhythms and movement. Jay Sand, guitarist and children’s music teacher, world traveler and dad of three girls developed All Around This World with his girls as a way to introduce them to the countries he’s already visited and the many more he plans to visit with them.  Through  dynamic online classes,  CDs, concerts and workshopsengaging homeschool and classroom lessons, “musical maps” and participatory parent-child music-making Jay hopes to make the world a bit smaller one song at a time.

All Around This World is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of All Around This World must be made payable to “Fractured Atlas” only and are tax-deductible to the extent permitted by law. Donate here.

How to sing with Jay each week in your home or classroom Support All Around This World on Patreon Enjoy interactive All Around This World lessons in your home or classroom


ALL AROUND THIS WORLD NEWS

We can’t get enough of Nha Nhac

Which form of imperial Vietnamese court music is your favorite?

If I had to bet on it, I’d put my money on Nhã nhạc. The term “Nhã nhạc” refers to music performed from the days of the Trần dynasty to the last Nguyễn dynasty of Vietnam. Vietnamese music particularly thrived in the 19th century when music in the imperial court also featured royal dances, many of which had the goal of encouraging the king’s long life and supporting the country’s wealth. Feel free to dance royally while you’re enjoying this video’s performance of Nhã nhạc.

We Visit Vietnam

All Around This World maps of Southeast Asia featuring Vietnam

This week in our online class we visited Vietnam — and all two thousand miles of its coastline. Since the formation of the first Vietnamese state over two millennia ago Vietnam has fought for the right to determine its own fate. Since way back in 111 B.C.,Vietnam has been under the rule of the Chinese, the French, the Japanese and, for all intents and purposes, the United States. The Vietnamese know that every time a power invaded, no matter how long they stuck around (the Chinese ruled for a thousand years), Vietnamese independence movements successfully sent them packing. Today Vietnam is officially Communist but is economically a free-market state. The economy has boomed, surviving setbacks such as the 1997 Asian economic crisis and the 2008 global recession. The Vietnamese government has a spotty human rights record and maintains control over most media and social policy, but it has also normalized diplomatic and trade relations with most nations, including the U.S., enabling today’s Vietnamese to become an increasingly globally-connected lot. This week we’ll enjoy Vietnamese music and culture, both homegrown and intertwined with the world.

UPCOMING LIVECAST CLASS — APRIL 24

Jay teaching Livecast classes

Join ALL AROUND THIS WORLD for awesome LIVECAST CLASSES.

When you click the link below you’ll be able to put an event reminder on a Google Calendar. If you’d like to come to class in Zoom, CONTACT ME FOR THE LOGIN INFO. Ideally we’ll communicate before the day of class, but I do try to check my messages before my first class each day.

All times are U.S. Eastern Time, UTC-4. Registration and tuition details are here.

SATURDAY, APRIL 24:

10am: “Kids Explore East and Southeast Asia” — Thailand (Loy Krathong)

If you can’t log in, watch via Facebook Live on All Around This World’s facebook page.

If you’d like to come to class on a regular basis and get lots of information each week about the countries and cultures we’re exploring, REGISTER HERE.

To enroll in amazing online courses that take your family on a musical tour of the world: EXPLORE EVERYWHERE!

Everyone Sings Arirang

What is the “Korean national anthem?” There is only one answer.

“Arirang” is, in essence, because of its ubiquity on the Korean peninsula, “the Korean national anthem.” There are literally thousands of different versions of the song and everyone–everyone!–sings it, both on festive and somber occasions. “Arirang, arirang, arariyo, Arirang, crossing over the hill, My dear who has abandoned and left me, Has not even traveled ten miles before having feet pains” The song is of mysterious origin, age and literal meaning. Is the song two hundred years old? Two thousand? Whatever the song’s story, those protesting the 1910-1945 Japanese occupations of Korea claimed it as a resistance anthem, and since then the song has become synonymous with the pride of Koreans in surviving despite struggles. And who can Koreans be more proud of than their K-Pop superheros, BTS? Watch their sleek performance of Arirang in this video.

Under the Chuseok Moon

Chuseok is the Korean holiday of thanksgiving. Let us be grateful for that. The festival takes place around the 15th day of the 8th month of the Korean lunar calendar, which is some time around the start of autumn. While modern Koreans first and foremost view the holiday as a moment to focus on their families, traditionally Koreans have also played folk games throughout Chuseok, like tug-of-war or ssireum wrestling. As you’ll see in this video, Korean women along the southwest coast also perform the ancient Ganggangsullae dance forming a circle under a full moon and dancing for hours, long into the night, replying a liberating “Ganggangsullae!” as the song leader sings about both the struggles and joys of life. In class we enjoy womens’ dance from Korea by pretending to be turtles and mice.

Bang a Gong with Korean Farmers

Inspired by this video, you will grab a gong and join Kiorean farmers in their Nongak.

Korean musicologists generally acknowledge four types of traditional music from Korea — courtly, aristocratic, scholarly, and religious —  and three kinds of Korean court music — aak (Chinese/Confucian ritual music), hyangak (purely Korean), and tangak (a combination of Chinese and Korean court music). There are also many  folk styles, such as:

sanjo: a completely instrumental music, performed with shifting rhythms and melodies on instruments such as the gayageum.
pansori: a theatrical form of music performed by one singer and one drummer. The singer tells one of five different stories but individualizes the telling with jokes and social commentar,y, and
nongak (“farmers’ dance”): a public form of percussion performed by twenty to thirty performers, most often in a rural setting.

Enjoy!

 

One Korea Two Koreas

All Around This World map of east and southeast Asia featuring souch Korea

This week in our online class we tried to understand two complicated Koreas. North Korea is the world’s most militantly isolated nation. From the inflated cult of personality surrounding its self-procluamed “Supreme Leader” to its government’s policy of imprisoning anyone, even foreign journalists, who dare question the omnipotence of its regime, North Korea is about as off-putting as any country could be. On the other hand, South Korea is one of the most wired, open and accessible nations in the world. In the years since splitting with the north it has raced to embrace all things that could connect it to global society, like cell phones, the internet, and shamelessly over-produced pop music. The sad fact is that for more than three thousand years, and until just about sixty years ago, these two divergent nations were one. Then came a brutal Japanese colonization culminating in a World War and a wholly unwelcome starring role in the military and ideological struggle between the Soviets, the Chinese and the United States. Since a vicious armed conflict in the early ’50s — Americans know it as The Korean War while Koreans refer to as their civil war — North has split from South with such vigor that there is literally a line between the countries that no one from either is allowed to cross. The chasm between the countries continues to widen; the civil war’s wounds are still raw.

Dancing to Please the Ancestors

We met the Japanese Obon festival and Bon Odori dancing in our last post. Here we go one step further.
“Ashibinaa” is a song that accompanies Bon Odori, a Japanese folk dance performed during Obon, a summertime festival which is a period for Japanese to appreciate their ancestors by returning to their hometowns and “visiting with” the spirits of those who have passed. Obon is sometimes called the Lantern Festival; at its beginning Japanese light chochin lanterns to guide the ancestors’ spirits from their graves to the family home and at the end family members use lanterns to lead the spirits back. Our Japanese bon odori dancing may not be so accurate, but we do get the chance to exclaim, “HAI!”