Tag Archives | Malaysia

At Adau — for a better world

At Adau is a groundbreaking world music ensemble from the island of Borneo. The band fuses many forms of traditional Bornean music — all your favorites, like Sape’, Perutongs, Beduk and Kidibad and even Takebung — with rock instruments like the drum kit and electric guitar. At Adau wants much more than to just play pleasant songs from Borneo: says their website, “At Adau musical creations do not only represent their feelings and expressions but also reflect peace, serenity, appreciation for nature and a deep love and harmony between people around the world, regardless of cultural backgrounds, races, and boundaries.” Cool! Watch them rock Sarawak’s Rainforest World Music Festival in 2017

Keeping up with Malaysia’s favorite “keepie uppie”


Yesterday we learned about one of Malaysia’s favorite sports — sepak takraw. The sport has the illustrious designation of being a “keepie uppie,” a game in which the player uses every part of the body except the hands — feet, legs, knees, shoulders, chest and head — to keep a ball or other object from falling. Hackey sack is a keepie-uppie, as are games played internationally like footvolley (Portugal), football tennis (Czech Republic), jianzi (China), sipa (the Philippines) and bossaball (started in Spain, but now played worldwide). You should definitely clear some space then try sepak takraw, or any keepie uppie, in your classroom. Your kids will really get a  get a kick (HA!) out of playing them.

Sepak Takraw — Yay!


In class this week as we learn about Malaysia we really have fun playing the sport Sepak takraw, one of the nation’s favorite sports  Sepak takraw is essentially a cross between volleyball and hackeysack. The sepak takraw ball is a small-ish one, made of rattan (a kind of palm). The three players on each team stand on each side of what looks like a volleyball/badminton net. As in volleyball they must keep the ball from touching the ground on their side. As in hackeysack they may only touch ball with their feet. And, as in any international sport we meet in music class, when we “play sepak takraw” we joyfully let the toddlers bounce a ball and say “yay!”

My Rickshaw

Yesterday we met the tourist-friendly Malaysian city of Malacca where, to our delight, tourists ride about in three-wheeled, flower-adorned pedicabs (rickshaws). In class we pretend to be hard working rickshaw drivers, as we sing “My Rickshaw,” pedaling from sunrise to sundown: “Abang beca, abang beca di tengah jalan, I drive my rickshaw in the town, Abang beca, abang beca di tengah jalan, I pedal hard to keep those wheels going ’round . . . .” In this video I’m sitting on a chair to teach the song, but the real fun takes place in the classroom. There we get down on the ground and pedal pedal pedal, climbing all the way up an imaginary hill — which, even in our imagination, is hard work! — then letting gravity grab us as we race toward town.

Riding a Rickshaw in Malacca — Three is the Magic Number

One of our favorite songs of this season is, “My Rickshaw” (“Abang Beca”) a traditional song about the rickshaw drivers in the tourist-friendly parts of Melacca Malaysia, a port city on the southwestern coast of the Malay Peninsula. Founded as a port town in the early 1400’s, Melacca had became a strategic pan-Asian trading hub long before the Portuguese conquered it in 1511. The Dutch ruled from 1641 to 1798, then the British until World War II, then the Japanese during the War…eventually Melacca became part of independent Malaya. Today it is a tourist-friendly, Portuguese-oriented port town, and a UNESCO-registered World Heritage site. We sing in class about the town’s uniquely colorful, musical three-wheeled pedicabs.

Pop Yeh Yeh

Malaysia’s rich tradition of nurturing folk music doesn’t prevent it from embracing Western pop. In the 1960s the Beatles and other Western bands became popular in Malaysia, inspiring local musicians to create their own rock. (In the ’80s, music journalists looking back on the style gave it the name “Pop Yeh Yeh.”) Since the mid ’80s Malaysia has been one of Asia’s foremost centers of R&B, and rap, and, since the mid ’90s, Malay Pop. Typical of a country that readily blends the old and the new, Islamic pop styles like nasyid allow musicians to forge modern musical ground while maintaining their own ancient religious and cultural beliefs.

The multifaceted music of Malaysia: Kertok, Ronggeng…Dondang Sayang!


Malaysian music, like so much of Malaysian culture and society, is the result of an ever-evolving interplay between Indonesian, Thai, Filipino, Chinese and global (especially Islamic) styles. Several kinds of Malaysian traditional music have developed as a mix of local and international forms, like traditional xylophone “kertok” ensembles from the Western Malay Kelatanese communities along the South China Sea, Arabian-influenced zapin music (and the accompanying zapin dance),  violin/drum/accordion and gong folk music called “ronggeng” from Malacca and, as we see in this video, dondang savang, a “slow and intense” genre built from Indian, Arabian, Chinese and Portuguese influences.

Malaysia is always both this and that

All Around This World map of Southeast Asia featuring Malaysia
This week our online class takes us to very modern Malaysia, a country that is engaged in many balancing acts at once. An economic powerhouse that boasts skyscrapers, superhighways and enthusiastic international industry, Malaysia is also home to millions who live simply and in accordance with ancient traditions. Geographically, Malaysia balances two distinct regions separated by the South China Sea: Peninsular Malaysia, the urban hub of the nation, and Malaysian Borneo, whose many, many animal species help make it “megadiverse.” Religiously, Malaysia balances a Muslim majority with its Buddhist and other religious minorities. Ethnically, Malaysia is exceedingly conscious about balancing the rights and privileges of indigenous Malaysian people, known as the “Bumiputra” with those of Chinese Malaysians. Because of all this balancing sometimes Malaysia seems modern and easy to understand. Then one runs up against a strict cultural practice or an Islamic law enforced by the nation’s “Religious Police,” and the contemporary Malaysia seems to disappear. . . .

 

24 Festive Drums


This season as we learn about the music of East and Southeast Asia we’re going to enjoy so many drums. While drumming rhythms themselves aren’t the heart and soul of most music of the region as they are in other parts of the world like Africa, the Caribbean or Latin America, every nation has its own proud, powerful tradition of drumming. In this video we meet Malaysian drums — “24 Festive Drums” to be exact. Kudos to the kids who are continuing this Malaysian drumming tradition.

A Dreamy Song from Malaysia

Last but not least in our “between seasons breather,” we enjoy a song from Borneo, the eastern part of Malaysia. There we visit the Temiar people, who access their deep connection with the spirit world when they dream. A lot of their dreams are both narrative and musical and result in the singing of sings. Here is our version of our favorite: